Korben spends his working hours driving a space taxi through a three-dimensional New York.
white could be a big new color in bondage regalia, and even airline employees of the future will be ready for streetwalking without skipping a beat. If Gaultier is to be believed - and he's as credible as anything else here Leeloo is girded for battle in the costumes of Jean-Paul Gaultier, who outdid himself in dreaming up strappy kinkwear for even the film's minor characters. She is a supreme being who arrives on earth in the form They invoked the threat of pure evil, and it has to be fended off 300 years later by a nymphet named Leeloo. With tiny insect heads, and that was not even the worst thing about them. Now pay attention: It seems that in 1914, apparently during outtakes of a "Raiders of the Lost Ark" installment, evil aliens arrived in Egypt to fulfill a mission prophesied by ancient carvings. But he handles it with muscular intensity and droll, sardonic energy instead. ("It's 'Star Wars' on acid!" Gary Oldman, who plays Zorg, the film's mega-hammy villain, has said about the story.) Lulled out of his torpor into a spectacular rescue mission, Mr. He brings sly panache to the role of Korben Dallas, reluctant action hero, who becomes embroiled in a plot that few sane viewers will even The story describes a mission to save humanity, but as far as the film itself is concerned, it's already gone.īruce Willis, a gratifying cool presence, does give this madly fanciful film some much-needed ballast.
Co-opted by international comic book style, Besson pitches this gaudyĮpic at a teen-age audience that values hot design over plot coherence, hollow excitement over reason.
It's also proof thatīesson, whose big ambitions and technological expertise have made him one of France's highest-profile younger directors, is also his nation's worst nightmare. But there is one shared phrase they understand: "Big badda-boom." Well, who doesn't grasp that concept at the start of the summer blockbuster sweepstakes?įlash, gimmicks, special effects and noisy pyrotechnics are so pervasive that they've even reached France.Īs directed by Luc Besson, whose "La Femme Nikita" hit a high-water mark for chic sensationalism, "The Fifth Element" is a big-budget French effort to play the Hollywood cartoon blockbuster game.
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ANNES, France - When the laid-back 23d-century New York City cab driver meets the orange-haired, genetically engineered punk babe in "The Fifth Element," theyĬannot communicate directly because they don't speak the same language.